You tell
me that everything
shines in the
luck of a
young wave,
with tracing
fountains in the
light of a
tender belief.
 
Francesco Sinibaldi

She comes
in the night
with a yellow
dress that
follows the
sound of an
intense intention;
and I like to  
discover the sun.
 
Francesco Sinibaldi sends a regard to redaction.
 
http://neighbors.denverpost.com/viewtopic.php?f=20&t=123004795&p=973459# p973459  

Only to communicate to redaction my desire to propose the next Intervention here, on this site.  
 
I’ll insert this site as site of call on the site of reference.
 
Next week.
 
Thanks. Francesco Sinibaldi  

A cold wind
calls to mind
the love for
a tender decoy,  
while my delicate
dream invents
in the candle
a reflection of
love.
 
Francesco Sinibaldi

The objective I have had, in date 11/7/2009, during the layout of the entitled composition " Il verso del nuovo mattino ", was that to come to a poetry characterized by the presence of a certain reduction of the speed.
When I try to reduce the speed I use some proper elements for such purpose as the use of hard letters, the presence of a punctuation that breaks the various propositions creating a smaller speed, contextually trying to check the lilt so that to make the composition diversified in its compositive formality.
In this particolar poetry these elements are present and my intent has been that to write a composition that was at the limit among the construction on the sound and the construction on the meaning ( considering that, with this last expression, I intend the simple and analytical description of images that I already have in my head, with a procedure that simply brings me to describe what I see in my mind and with an compositive approach exactly opposite to that present in the construction on the sound ).
But the most important element I have tried to get during the layout of this poetry has been that to reach an atmosphere of absolute quietness and immobility, a sense almost of perpetual calm and of contemplation of the nature.
Having this particular purpose I have thought to write the poetry without the use of a song of support but with the concentration created by the silence around me.
The initial phase of the poetry has been that has given greater difficulties and in fact the presence of a hold punctuation and of a not checked lilt show this situation with the birth almost of a certain discord with the second part of the composition.
After this first part I have tried to enter in a climate of observation of the nature and its components, I have tried to reduce the use of the punctuation to arrive to a more flowing and harmonic formulation.
In the central part, sometimes still slightly conditioned by a rigid construction on the sound ( .." e geme il cinguettio del nuovo affanno.." ), I reach the more succeeded part of the poetry, in which there is the presence of a certain emotional situation and  where the composition results harmonical and balanced (" ...tra i freschi e adorati cipressi, e silenzi infiniti che paion fuggire... ).
The composition, written as said in the evening of the quoted day, has been composed in 20 minutes and  has been published, in contextual and not announced publication, on the Site of reference, on the Continental site of reference for Africa, on Newsweek and on the French newspaper Le Nouvel Observateur.
To conclude this new Intervention, that I have decided to propose in Afghanistan, only a quotation for the decision to insert, in the site of reference as song of September, the beautiful " To love " by Swedish singer Agnetha Faltskog, a melody that, in the past, I have often used, for its beauty and creativity, as song of support for the layout of various compositions.
 
Intervento su Afghanistan Online - Afghanistan  07/09/2009    
 
Francesco Sinibaldi

In a symphony.
 
In the light
of a symphony
there's a charming
intention, and
also that fortune;
there's a little
desire and the
sound of a
beautiful noise....
 
Francesco Sinibaldi